Whatever has "wit enough to keep it sweet" defies corruption and outlasts all time; but the wit must be of that outward and visible order which needs no introduction or demonstration at our hands.
I have liked many but loved very few. Yet no-one has been as sweet as you. I'd stand and wait in the world's longest queue. Just for the pleasure of a moment with you.
Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vexed, a sea nourished with loving tears. What is it else? A madness most discreet, A choking gall, and a preserving sweet. *Here’s what love is: a smoke made out of lovers' sighs. When the smoke clears, love is a fire burning in your lover’s eyes. If you frustrate love, you get an ocean made out of lovers' tears. What else is love? It’s a wise form of madness. It’s a sweet lozenge that you choke on.*
Orpheus with his lute made trees, And the mountain tops that freeze, Bow themselves, when he did sing; To his music, plants and flowers Ever sprung; as sun and showers There had made a lasting spring. Every thing that heard him play, Even the billows of the sea, Hung their heads, and then lay by. In sweet music is such art, Killing care and grief of heart Fall asleep, or hearing, die.
When daffodils begin to peer,
With heigh! the doxy, over the dale,
Why, then comes in the sweet o' the year;
For the red blood reigns in the winter's pale.
The white sheet bleaching on the hedge,
With heigh! the sweet birds, O, how they sing!
Doth set my pugging tooth on edge;
For a quart of ale is a dish for a king.
I love to see when ya move with the rhythm; I love to see when you're dancin' from within; It gives great joy to feel such sweet togetherness,
everyone doin' and they're doing their best!
That strain again! It had a dying fall:
O, it came o'er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet as it was before.
Come unto these yellow sands, And then take hands. Curtsied when you have and kissed The wild waves whist, Foot is featly here and there; And, sweet sprites, the burden bear. Ariel's song, scene II, Act I
A line will take us hours maybe; / Yet if it does not seem a moment's thought, / Our stitching and unstitching has been naught... Better go down upon your marrow-bones / And scrub a kitchen pavement, or break stones... For to articulate sweet sounds together / Is to work harder than all these, and yet / Be thought an idler by the noisy set.
It is thyself, mine own self's better part; Mine eye's clear eye, my dear heart's dearer heart; My food, my fortune, and my sweet hope's aim, My sole earth's heaven, and my heaven's claim.
No longer mourn for me when I am dead than you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot, if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.