Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things
We murder to dissect.
Enough of Science and of Art;
Close up these barren leaves;
Come forth, and bring with you a heart
That watches and receives.
Music, when soft voices die, Vibrates in the memory; Odours, when sweet violets sicken, Live within the sense they quicken. Rose leaves, when the rose is dead, Are heap'd for the belovèd's bed; And so thy thoughts, when thou art gone, Love itself shall slumber on.
Implied Subjection, but requir'd with gentle sway, And by her yielded, by him best receiv'd,- Yielded with coy submission, modest pride, And sweet, reluctant, amorous delay.
I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turn'd to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires.
A poet is no rattlebrain, saying what comes uppermost, and, because he says every thing, saying, at last, something good; but a heart in unison with his time and country. There is nothing whimsical or fantastic in his production, but sweet and sad earnest, freighted with the weightiest convictions, and pointed with the most determined aim which any man or class knows of in his times.
Virtue could see to do what virtue would By her own radiant light, though sun and moon Were in the flat sea sunk. And Wisdom's self Oft seeks to sweet retired solitude, Where with her best nurse Contemplation She plumes her feathers and lets grow her wings, That in the various bustle of resort Were all-to ruffled, and sometimes impair'd. He that has light within his own clear breast May sit i' th' centre and enjoy bright day; But he that hides a dark soul and foul thoughts Benighted walks under the midday sun.
The seasons alter: hoary-headed frosts
Fall in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set. The spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which.
So will I build my altar in the fields, And the blue sky my fretted dome shall be, And the sweet fragrance that the wild flower yields Shall be the incense I will yield to thee.
The private life of one man shall be a more illustrious monarchy,--more formidable to its enemy, more sweet and serene in its influence to its friend, than any kingdom in history. For a man, rightly viewed, comprehendeth the particular natures of all men.
The mellow autumn came, and with it came The promised party, to enjoy its sweets. The corn is cut, the manor full of game; The pointer ranges, and the sportsman beats In russet jacket;--lynx-like is his aim; Full grows his bag, and wonderful his feats. An, nutbrown partridges! An, brilliant pheasants! And ah, ye poachers!--'Tis no sport for peasants.
Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom or summer's rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark Surrounds me; from the cheerful ways of men Cut off, and for the book of knowledge fair Presented with a universal blank Of Nature's works, to me expung'd and raz'd, And wisdom at one entrance quite shut out.
Sweet as the tender fragrance that survives, When martyred flowers breathe out their little lives, Sweet as a song that once consoled our pain, But never will be sung to us again, Is they remembrance. Now the hour of rest Hath come to thee. Sleep, darling: it is best.