A poet is no rattlebrain, saying what comes uppermost, and, because he says every thing, saying, at last, something good; but a heart in unison with his time and country. There is nothing whimsical or fantastic in his production, but sweet and sad earnest, freighted with the weightiest convictions, and pointed with the most determined aim which any man or class knows of in his times.
Come away, come away, Death, And in sad cypress let me be laid; Fly away, fly away, breath, I am slain by a fair cruel maid. My shroud of white stuck all with yew, O prepare it! My part of death no one so true did share it. Not a flower, not a flower sweet, On my black coffin let there be strewn: Not a friend, not a friend greet My poor corpse, where my bones shall be thrown. A thousand thousand sighs to save, lay me O where Sad true lover never find my grave, to weep there!
And what if thou, sweet May, hast known
Mishap by worm and blight;
If expectations newly blown
Have perished in thy sight;
If loves and joys, while up they sprung,
Were caught as in a snare;
Such is the lot of all the young,
However bright and fair.
... when he saw her sitting there all alone, so young, and good, and beautiful, and kind to him; and heard her thrilling voice, so natural and sweet, and such a golden link between him and all his life's love and happiness, rising out of the silence; he turned his face away, and hid his tears.
How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
O how wretched is that poor man that hangs on princes favors! There is betwixt that smile we would aspire to, that sweet aspect of princes, and their ruin, more pangs and fears than wars or women have, and when he falls, he falls like Lucifer, never to hope again.
And as to you Death, and you bitter hug of mortality, it is idle to try to alarm me.... And as to you corpse, I think you are good manure, but that does not offend me, I smell the white roses sweet-scented and growing, I reach to the leafy lips — I reach to the polished breasts of melons. And as to you life, I reckon you are the leavings of many deaths, No doubt I have died myself ten thousand times before.
The true sweetness of chess, if it ever can be sweet, is to see a victory snatched, by some happy impertinence, out of the shadow of apparently irrevocable disaster.
A man traveling across a field encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him. Two mice, one white and one black, little by little started to gnaw away the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!
The lily I condemned for thy hand, And buds of marjoram had stol'n thy hair: The roses fearfully on thorns did stand, One blushing shame, another white despair; A third, nor red nor white, had stol'n of both And to his robbery had annex'd thy breath; But, for his theft, in pride of all his growth A vengeful canker eat him up to death. More flowers I noted, yet I none could see But sweet or colour it had stol'n from thee.
Under the greenwood tree, Who loves to lie with me And tune his merry note, Unto the sweet bird's throat; Come hither, come hither, come hither. Here shall he see No enemy But winter and rough weather.