I like my boy with his endless sweet soliloquies and iterations and his utter inability to conceive why I should not leave all my nonsense, business, and writing and come to tie up his toy horse, as if there was or could be any end to nature beyond his horse. And he is wiser than we when [he] threatens his whole threat "I will not love you."
But death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man’s best friend; when man could endure life no longer, death came and set him free.
The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.
Oft as by chance, a little while apart The pall of empty, loveless hours withdrawn, Sweet Beauty, opening on the impoverished heart, Beams like a jewel on the breast of dawn.
Whatever has "wit enough to keep it sweet" defies corruption and outlasts all time; but the wit must be of that outward and visible order which needs no introduction or demonstration at our hands.
My waking thoughts are all of thee. Your portrait and the remembrance of last night's delirium have robbed my senses of repose. Sweet and incomparable Josephine, what an extraordinary influence you have over my heart. Are you vexed? Do I see you sad? Are you ill at ease? My soul is broken with grief, and there is no rest for your lover.
Sweet and low, sweet and low, Wind of the western sea, Low, low, breathe and blow, Wind of the western sea! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me; While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest, Father will come to thee soon; Rest, rest, on mother's breast, Father will come to thee soon; Father will come to his babe in the nest, Silver sails all out of the west Under the silver moon: Sleep, my little one, sleep, my pretty one, sleep.
Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
Sweet Mercy! to the gates of heaven This minstrel lead, his sins forgiven; The rueful conflict, the heart riven With vain endeavour, And memory of Earth's bitter leaven Effaced forever.
Macbeth: How does your patient, doctor? Doctor: Not so sick, my lord, as she is troubled with thick-coming fancies that keep her from rest. Macbeth: Cure her of that! Canst thou not minister to a mind diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with some sweet oblivious antidote cleanse the stuffed bosom of that perilous stuff which weighs upon her heart. Doctor: Therein the patient must minister to himself.
It is sweet to dance to violins When love and life are fair: To dance to flutes, to dance to lutes Is delicate and rare: But it is not sweet with nimble feet To dance upon the air!
There are souls beneath that water. Fixed in slimethey speak their piece, end it, and start again:'Sullen were we in the air made sweet by the Sun;in the glory of his shining our hearts poureda bitter smoke. Sullen were we begun;sullen we lie forever in this ditch.'This litany they gargle in their throatsas if they sand, but lacked the words and pitch.