Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometime voices, That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me; that, when I waked, I cried to dream again.
Sweet Beatrice, wouldst thou come when I called thee? BEATRICE Yea, signior, and depart when you bid me. BENEDICK O, stay but till then! BEATRICE 'Then' is spoken; fare you well now... (Much Ado About Nothing)
The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.
It was in the days when France's power was already broken upon the seas, and when more of her three-deckers lay rotting in the Medway than were to be found in Brest harbour. But her frigates and corvettes still scoured the ocean, closely followed ever by those of her rival. At the uttermost ends of the earth these dainty vessels, with sweet names of girls or of flowers, mangled and shattered each other for the honour of the four yards of bunting which flapped from the end of their gaffs.
Love is like the wild rose-briar; Friendship like the holly-tree. The holly is dark when the rose-briar blooms, But which will bloom most constantly? The wild rose-briar is sweet in spring ,Its summer blossoms scent the air; Yet wait till winter comes again, And who will call the wild-briar fair? Then, scorn the silly rose-wreath now, And deck thee with holly's sheen, That, when December blights thy brow, He still may leave thy garland green.
Death darkens his eyes, and unplumes his wings, Yet the sweetest song is the last he sings: Live so, my Love, that when death shall come, Swan-like and sweet it may waft thee home.
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dreamlike charm,
Wild moor-sheep feeding everywhere.
How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
...
I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.
Implied Subjection, but requir'd with gentle sway, And by her yielded, by him best receiv'd,- Yielded with coy submission, modest pride, And sweet, reluctant, amorous delay.
There are souls beneath that water. Fixed in slimethey speak their piece, end it, and start again:'Sullen were we in the air made sweet by the Sun;in the glory of his shining our hearts poureda bitter smoke. Sullen were we begun;sullen we lie forever in this ditch.'This litany they gargle in their throatsas if they sand, but lacked the words and pitch.
Solitary converse with nature; for thence are ejaculated sweet and dreadful words never uttered in libraries. Ah! the spring days, the summer dawns, and October woods!