DEBT, n. An ingenious substitute for the chain and whip of the slave-driver. As, pent in an aquarium, the troutlet Swims round and round his tank to find an outlet, Pressing his nose against the glass that holds him, Nor ever sees the prison that enfolds him; So the poor debtor, seeing naught around him, Yet feels the narrow limits that impound him, Grieves at his debt and studies to evade it, And finds at last he might as well have paid it.
REALISM, n. The art of depicting nature as it is seem by toads. The charm suffusing a landscape painted by a mole, or a story written by a measuring-worm.
Cogito cogito ergo cogito sum -- "I think that I think, therefore I think that I am;" as close an approach to certainty as any philosopher has yet made.
Homicide, /n./ The slaying of one human by another. There are four kinds of homicide: felonious, excusable, justifiable, and praiseworthy, but it makes no great difference to the person slain whether he died by one kind or another - the classification is for the advantage of the lawyers.
EFFECT, n. The second of two phenomena which always occur together in the same order. The first, called a Cause, is said to generate the other-which is no more sensible than it would be for one who has never seen a dog except in pursuit of a rabbit to declare the rabbit the cause of the dog.
ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .
Doubt, indulged and cherished, is in danger of becoming denial; but if honest, and bent on thorough investigation, it may soon lead to full establishment of the truth.
SACRED, adj. Dedicated to some religious purpose; having a divine character; inspiring solemn thoughts or emotions; as... the Cow in India; the Crocodile, the Cat and the Onion of ancient Egypt.
Acquaintance: "A person whom we know well enough to borrow from, but not well enough to lend to. A degree of friendship called slight when its object is poor or obscure, and intimate when he is rich or famous.
IMPALE, v.t. In popular usage, to pierce with any weapon which remains fixed in the wound . . . . properly, to put to death by thrusting an upright sharp stake into the body, the victim being left in a sitting position.
Learning -the kind of ignorance affected by (and affecting) civilized races, as distinguished from ignorance, the sort of learning incurred by savages. See nonsense.
INTENTION, n. The mind's sense of the prevalence of one set of influences over another set; an effect whose cause is the imminence, immediate or remote, of the performance of an involuntary act.