While we destroyed the Centre Party, we have not only brought thousands of priests back into the Church, but to millions of respectable people we have restored their faith in their religion and in their priests. The union of the Evangelical Church in a single Church for the whole Reich, the Concordat with the Catholic Church, these are but milestones on the road which leads to the establishment of a useful relation and a useful co operation between the Reich and the two Confessions.
Two and two make four. Nature doesn't ask your advice. She isn't interested in your preferences or whether or not you approve of her laws. You must accept nature as she is with all the consequences that that implies.
In this world we find that all happiness is followed by misery as its shadow. Life has its shadow, death. They must go together, because they are not contradictory, not two separate existences, but different manifestations of the same unit, life and death, sorrow and happiness, good and evil.
One had a lovely face,
And two or three had charm,
But charm and face were in vain.
Because the mountain grass
Cannot keep the form
Where the mountain hare has lain.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.
There are two cardinal human sins out of which all others derive, deviate, and dissipate: impatience and lassitude (or perhaps nonchalance). On account of impatience they are driven out of paradise; on account of lassitude or nonchalance they do not return. Perhaps, however, only one main sense of sin is given: impatience. On account of impatience they are driven out, on account of impatience they do not turn back.
In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.
If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
The two Testaments are interesting, each in its own way. The Old one gives us a picture of these people's Deity as he was before he got religion, the other one gives us a picture of him as he appeared afterward.
No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous— Almost, at times, the Fool.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
If the world had two gods, it would surely go to ruin-this is the first premise. Now it is known that it has not gone to ruin-this is the second premise. From these premises the conclusion must of necessity follow, that is, the denial of two gods.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.