When I was creative director [at Estée Lauder], I was always being asked about my beauty must-haves. From there I had this fun idea to create a line of what was in my makeup bag. But I also love accessories, and people associate me with home, family, and beauty. As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.
I think it's so much fun to create a space. As the world has gotten more and more hectic - with these horrible catastrophes [happening] - people are going out less, ordering in, [having guests over]. People love to be in their homes.
I learned one thing; you never do anything for fame or money. You only do things 'cause they're fun or good. If you can combine the two at the same time, you can make a contribution to the world and have a lot of happiness.
And all over the world, the old literature, the popular literature, is the same. It consists of very dignified sorrow and very undignified fun. Its sad tales are of broken hearts; its happy tales are of broken heads.
You know your real nature [to be divine]. You are the king and play you are a beggar. . . . It is all fun. Know it and play. That is all there is to it. Then practice it. The whole universe is a vast play.
Getting your nails done with your man is so much fun. Having them help you out choosing the color, I love that. I think it's great to get a man's perspective on nails and to sit there to get your nails done with him.
Hip-hop has crossed many boundaries and racial barriers, broken them down for people to come together, to listen to the music or come out of their own social ills in each of the countries that it has went to. Thanks to my traveling, and keeping up from place to place, and pushing our ideology - peace, love, unity, and having fun - it has worked.
The bipartisan approach filtered up through my typewriter. I used to say, "Mad takes on both sides." We even used to rake the hippies over the coals. They were protesting the Vietnam War, but we took aspects of their culture and had fun with it. Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat. That went for the writers, too; they all had their own political leanings, and everybody had a voice. But the voices were mostly critical. It was social commentary, after all.
I wouldn't do my roles if I really hated it. I've done things I hated, but I didn't go into them thinking I would hate them. I want to have fun. I don't want to go to work and not enjoy it. So if I'm swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don't want to be a crap cartoon character. I want to be proud I'm a vitamin!
One of the problems of this genre is that there are cliches everywhere, and you've got to be careful and watch out. Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else. Milady is, in one sense, a villain because she does bad things.
The fun of talk is to explore, but much of it and all that is irresponsible should not be written. Once written you have to stand by it. You may have said it to see whether you believed it or not.
A man imagines a happy marriage as a marriage of love; even if he makes fun of marriages that are without love, or feels sorry for lovers who are without marriage.
[Diego Luna Cassian] quite a smartass, and I really appreciate smartasses. He used to make fun of me for the stupid backpack I wore. There were a few situations where I couldn't [wear the stilts]. [When] I was on a cliffside or running in water and stuff like that, I had to wear this backpack with a telescoping head that came off the top, and it was really stupid looking.