The Language of the Dream/Night is contrary to that of Waking/Day. It is a language of Images and Sensations, the various dialects of which are far less different from each other, than the various Day-Languages of Nations.
For I was reared in the great city, pent with cloisters dim,and saw naught lovely but the sky and stars.But thou, my babe! Shalt wander like a breeze By lakes and sandy shores, beneath the cragsOf ancient mountains, and beneath the clouds,Which image in their bulk both lakes and shoresAnd mountain crags: so shall thou see and hearThe lovely shapes and sounds intelligible Of that eternal language, which thy GodUtters, who from eternity doth teachHimself in all, and al things in himselfGreat universal teacher! He shall moldThy spirit and by giving , make it ask.
Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
The act of praying is the very highest energy of which the human mind is capable; praying, that is, with the total concentration of the faculties. The great mass of worldly men and of learned men are absolutely incapable of prayer.
I believe that obstinacy, or the dread of control and discipline, arises not so much from self-willedness as from a conscious defect of voluntary power; as foolhardiness is not seldom the disguise of conscious timidity.
Enlist the interests of stern Morality and religious Enthusiasm in the cause of Political Liberty, as in the time of the old Puritans, and it will be irresistible.
There is no such thing as a worthless book though there are some far worse than worthless; no book that is not worth preserving, if its existence may be tolerated; as there may be some men whom it may be proper to hang, but none should be suffered to starve.
The form is mechanic when on any given material we impress a predetermined form. The organic form, on the other hand, is innate, it shapes as it develops itself from within.
Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.