The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses , each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
Nature never deserts the wise and pure; no plot so narrow, be but nature there; no waste so vacant, but may well employ each faculty of sense, and keep the heart awake to love and beauty.
Motives are symptoms of weakness, and supplements for the deficient energy of the living principle, the law within us. Let them then be reserved for those momentous acts and duties in which the strongest and best-balanced natures must feel themselves deficient, and where humility no less than prudence prescribes deliberation.