The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects.
I believe, sir, in all the progress. Air navigation is the result of the oceanic navigation: from water the human has to pass in the air. Everywhere where creation will be breathable to him, the human will penetrate into the creation. Our only limit is life.
Large, heavy, ragged black clouds hung like crape hammocks beneath the starry cope of the night. You would have said that they were the cobwebs of the firmament.
In the relations of man with the animals, with the flowers, with all the objects of creation, there is a whole great ethic, scarcely perceived as yet, which will at length break through into the light, and which will be the corollary and the complement to human ethics.
These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.