In 1815, M. Charles Francois-Bienvenu Myriel was Bishop of D-----. He was a man of seventy-five, and had occupied the bishopric of D----- since 1806. Although it in no manner concerns, even in the remotest degree, what we have to relate, it may not be useless, were it only for the sake of exactness in all things, to notice here the reports and gossip which had arisen on his account from the time of his arrival in the diocese.
The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects.
To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.
Babylon violated diminishes Alexander; Rome enslaved diminishes Caesar; massacred Jerusalem diminishes Titus. Tyranny follows the tyrant. Woe to the man who leaves behind a shadow that bears his form.
There are souls which, crab-like, crawl continually toward darkness, going back in life rather than advancing in it, using what experience they have to increase their deformity, growing worse without ceasing, and becoming steeped more and more thoroughly in an intensifying wickedness.
In the vast cosmical changes, the universal life comes and goes in unknown quantities, ... sowing an animalcule here, crumbling a star there, oscillating and ... entangling, from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, hanging the flight of an insect upon the movement of the earth... Enormous gearing, whose first motor is the gnat, and whose last wheel is the zodiac.
Dry happiness is like dry bread. We eat, but we do not dine. I wish for the superfluous, for the useless, for the extravagant, for the too much, for that which is not good for anything.