I loathe the mess of mean superstitions and misunderstood prophecies which is still rammed down the throats of children under the name of Christianity.
Girls, like men, want to be petted, pitied, and made much of, when they are diffident, in low spirits, or in unrequited love. These are services which the weak cannot render to the strong and which the strong will not render to the weak, except when there is also a difference of sex.
Men are always thinking that they are going to do something grandly wicked to their enemies; but when it comes to the point, really bad men are just as rare as really good ones.
An Irishman's imagination never lets him alone, never convinces him, never satisfies him; but it makes him that he can't face reality nor deal with it nor handle it nor conquer it: he can only sneer at them that do, and be 'agreeable to strangers', like a good-for-nothing woman on the streets.
I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.
I talk democracy to these men and women. I tell them that they have the vote, and that theirs is the kingdom and the power and the glory. I say to them You are supreme: exercise your power. They say, That's right: tell us what to do; and I tell them. I say Exercise our vote intelligently by voting for me. And they do. That's democracy; and a splendid thing it is too for putting the right men in the right place.
I ... must continue to strive for more knowledge and more power, though the new knowledge always contradicts the old and the new power is the destruction of the fools who misuse it.