You would get longer livelier and more frequent letters from me, if it weren't for the Christian religion. How that bell tolling at the end of the garden, dum dum, dum dum, annoys me! Why is Christianity so insistent and so sad?
Not wholly in the busy world, nor quite
Beyond it, blooms the garden that I love.
News from the humming city comes to it
It sound of funeral or of marriage bells.
He who knows what sweets and virtues are in the ground, the plants, the waters, the heavens, and how to come at these enchantments - is the rich and royal man.
Our little kinsmen after rain
In plenty may be seen,
a pink and pulpy multitude
The tepid ground upon;
A needless life if seemed to me
Until a little bird
As to a hospitality
Advanced and breakfasted.
Oh, Adam was a gardener, and God who made him sees That half a proper gardener's work is done upon his knees, So when your work is finished, you can wash your hands and pray For the Glory of the Garden, that it may not pass away!
There is one rule in the garden that is above all others. You must give to nature more than you take. Obey it, and the earth will provide you in glorious abundance.
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed In a tumultuous privacy of storm.
O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, (135) Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: (140) So excellent a king; that was, to this.
I get very close to people when I'm shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob. Then I would go shoot a scene with Rob and tell him all about Lucy. Eventually they wanted to know each other. These are two people who would never have overlapped in any other way or context. We brought to the garden at Rob's office and just sat and watched what unfolded. I remember weeping behind the camera, because I was so moved by the way they connected.