Down by the salley gardens my love and I did meet; She passed the salley gardens with little snow-white feet. She bid me take love easy, as the leaves grow on the tree; But I, being young and foolish, with her did not agree. In a field by the river my love and I did stand, And on my leaning shoulder she laid her snow-white hand. She bid me take life easy, as the grass grows on the weirs; But I was young and foolish, and now am full of tears.
In life courtesy and self-possession, and in the arts style, are the sensible impressions of the free mind, for both arise out of a deliberate shaping of all things and from never being swept away, whatever the emotion into confusion or dullness.
I gave what other women gave That stepped out of their clothes But when this soul, its body off Naked to naked goes, He it has found shall find therein What none other knows.
O but we dreamed to mend Whatever mischief seemed To afflict mankind, but now That winds of winter blow Learn that we were crack-pated when we dreamed.
All empty souls tend to extreme opinion. It is only in those who have built up a rich world of memories and habits of thought that extreme opinions affront the sense of probability. Propositions, for instance, which set all the truth upon one side can only enter rich minds to dislocate and strain, if they can enter at all, and sooner or later the mind expels them by instinct.
We are no petty people. We are one of the great stocks of Burke; we are the people of Swift, the people of Emmet, the people of Parnell. We have created most of the modern literature of this country. We have created the best of its political intelligence.
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Now as at all times I can see in the mind's eye, In their stiff, painted clothes, the pale unsatisfied ones Appear and disappear in the blue depth of the sky With all their ancient faces like rain- beaten stones, And all their helms of silver hovering.
Labor is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance How can we know the dancer from the dance?