Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.
'In his celebrated book, 'On Liberty', the English philosopher John Stuart Mill argued that silencing an opinion is "a peculiar evil." If the opinion is right, we are robbed of the "opportunity of exchanging error for truth"; and if it's wrong, we are deprived of a deeper understanding of the truth in its "collision with error." If we know only our own side of the argument, we hardly know even that: it becomes stale, soon learned by rote, untested, a pallid and lifeless truth.'
They recite their sacred books, although the fact informs me that these are a fiction from first to last. O Reason, thou (alone) speakest the truth. Then perish the fools who forged the (religious) traditions or interpreted them!
Books are not absolutely dead things, but do contain a potency of life in them....I know they are as lively and as vigorously productive as those fabulous dragon's teeth and being sown up and down, may chance to spring up armed men.
If we are perplexed by an apparent contradiction in Scripture, it is not allowable to say, 'The author of this book is mistaken'; but either the manuscript is faulty, or the translation is wrong, or you have not understood.
We were to found a University magazine. A pair of little, active brothers-Livingstone by name, great skippers on the foot, great rubbers of the hands, who kept a book-shop over against the University building-had been debauched to play the part of publishers. We four were to be conjuct editors and, what was the main point of the concern, to print our own works; while, by every rule of arithmetic-that flatterer of credulity-the adventure must succeed and bring great profit. Well, well: it was a bright vision.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
The gospel is not a book; it is a living being, with an action, a power, which invades every thing that opposes its extension, behold! It is upon this table: This book, surpassing all others. I never omit to read it, and every day with some pleasure.