Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.
I simply believe that a book has a journey to make, and should not be condemned to being stuck on a shelf… Let’s leave our books free to travel, then, to be touched by other hands, and enjoyed by other eyes.
In Russia there is an emigration of intelligence: émigrés cross the frontier in order to read and to write good books. But in doing so they contribute to making their fatherland, abandoned by spirit, into the gaping jaws of Asia that would like to swallow our little Europe.
Neither is a dictionary a bad book to read. There is no can't in it, no excess of explanation, and it is full of suggestion, the raw material of possible poems and histories.
If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.
Let fame, that all hunt after in their lives,
Live regist'red upon our brazen tombs
And then grace us in the disgrace of death;
When, spite of cormorant devouring Time,
Th' endeavor of this present breath may buy
That honor which shall bate his scythe's keen edge
And make us heirs of all eternity.