You mentioned your name as if I should recognize it, but beyond the obvious facts that you are a bachelor, a solicitor, a freemason, and an asthmatic, I know nothing whatever about you.
I confess to wincing every so often at a poorly chosen word, a mangled sentence, an expression of emotion that seems indulgent or overly practiced. I have the urge to cut the book by fifty pages or so, possessed as I am with a keener appreciation for brevity.
We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.
We sometimes observe that spoiled children contract a habit of annoying quite wantonly those who have charge of them, and seem tomeasure their own sense of well-being, not by what they do, but by the degree of reaction they can cause. It is vain to get rid of them by not minding them: if purring and humming is not noticed, they squeal and screech; then if you chide and console them, they find the experiment succeeds, and they begin again. The child will sit in your arms contented if you do nothing. If you take a book and read, he commences hostile operations.
I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.
A book can never be anything more than the impression of its author’s thoughts. The value of these thoughts lies either in the matter about which he has thought, or in the form in which he develops his matter — that is to say, what he has thought about it.
My rage is gone,
And I am struck with sorrow. Take him up.
Help, three o' th' chiefest soldiers; I'll be one.
Beat thou the drum, that it speaks mournfully,
Trail your steel spikes. Though in this city he
Hath widowed and unchilded many a one,
Which to this hour bewail the injury,
Yet he shall have a noble memory.
Assist.
This rough magic I here abjure and when I have required some heavenly music, which even now I do, to work mine end upon their senses that this airy charm is for, I'll break my staff, bury it certain fathoms in the earth, and deeper than did ever plummet sound, I'll drown my book.
Eric Schlosser's book on the economy and strategies of the fast-food business should be read by anyone who likes to take their children to fast-food restaurants. I shall certainly never do that again. He employs a long, cold burn, a quiet and impassioned accumulation of detail, with calm, wit and clarity. (...) Fast Food Nation is witness to the rigour and seriousness of the best American journalism, readable, reliable and extremely carefully done.
Nature and books belong to the eyes that see them. It depends on the mood of the man, whether he shall see the sunset or the fine poem. There are always sunsets, and there is always genius; but only a few hours so serene that we can relish nature or criticism. The more or less depends on structure or temperament. Temperament is the iron wire on which the beads are strung. Of what use is fortune or talent to a cold and defective store?