Away, you cut-purse rascal! you filthy bung, away! By this wine, I'll thrust my knife in your mouldy chaps, an you play the saucy cuttle with me. Away, you bottle-ale rascal! you basket-hilt stale juggler, you!
A good sherris-sack hath a twofold operation in it. It
ascends me into the brain,... makes it apprehensive, quick,
forgetive, full of nimble, fiery, and delectable shapes.
I believe that even a smattering of such findings in modern science and mathematics is far more compelling and exciting than most of the doctrines of pseudoscience, whose practitioners were condemned as early as the fifth century B.C. by the Ionian philosopher Heraclitus as “nigh -walkers, magicians, priests of Bacchus, priestesses of the wine-vat, mystery-mongers.” But science is more intricate and subtle, reveals a much richer imiverse, and powerfully evokes our sense of wonder.
This bread and wine are the simple but eloquent monument to the infinite love of the Son of God, around which we gather with tender, tearful gratitude, because He loved us'so, and because we know that our garlands of affection and consecration are pleasing to Him.
It is with artworks as it is with wine: it is much better when we do not need either one, when we stick with water, and when out of our own inner fire, the inner sweetness of our own soul, we turn the water over and over again into wine ourselves.
Let me live deep while I live; let me know the rich juices of red meat & stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame crimson, and I am content"......Conan the Cimmerian.
The music, and the banquet, and the wine-- The garlands, the rose odors, and the flowers, The sparkling eyes, and flashing ornaments-- The white arms and the raven hair--the braids, And bracelets; swan-like bosoms, and the necklace, An India in itself, yet dazzling not.
Upon the first goblet he read this inscription, monkey wine; upon the second, lion wine; upon the third, sheep wine; upon the fourth, swine wine. These four inscriptions expressed the four descending degrees of drunkenness: the first, that which enlivens; the second, that which irritates; the third, that which stupefies; finally the last, that which brutalizes.