The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.
A little rain, a little blood. Black fingernails in August; and going berserk, going bananas. As if entrapped in a tropical heatwave, with dozens of whirlwinds swirling in one’s mind, one thinks of a way out, or a way in: out of the scorching bosom of a volcano, and in – into the centre of a raging hurricane. And tracing the labyrinthine ways of your mind, the haphazard vagaries of your thoughts at ease, the odds and ends of your mental surplus you carelessly throw at the world, one wants to be at a loss, in a maze; amazed, and amazingly unabashed.
I am sure it is a great mistake always to know enough to go in when it rains. One may keep snug and dry by such knowledge, but one misses a world of loveliness.
I do not know much about gods; but I think that the river is a strong brown god-sullen, untamed and intractable, Patient to some degree, at first recognized as a frontier; Useful, untrustworthy, as a conveyor of commerce; Then only a problem confronting the builder of bridges. The problem once solved, the brown god is almost forgotten By the dwellers in cities-ever, however, implacable. Keeping his seasons, and rages, destroyer, reminder Of what men choose to forget. Unhonored, unpropitiated By worshippers of the machine, but waiting, watching and waiting.
Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast; and pattered, noisily, among the leafless bushes.
My eyes went blank, and I stared off, and the music started. It was raining, and the sun was shining at the same time, and there were these big bay windows, and there was the blue in the sky, and the sun on the trees, and it was drizzling.
The effect of civilization is to impose human law upon environment until it becomes machine-like in its regularity. The objectionable is eliminated, the inevitable is foreseen. One is not even made wet by the rain nor cold by the frost; while death, instead of stalking about gruesome and accidental, becomes a prearranged pageant, moving along a well-oiled groove to the family vault, where the hinges are kept from rusting and the dust from the air is swept continually away.
The day is cold, and dark, and dreary;
It rains, and the wind in never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.
I do not know much about gods; but I think that the river is a strong brown god-sullen, untamed and intractable, Patient to some degree, at first recognized as a frontier; Useful, untrustworthy, as a conveyor of commerce; Then only a problem confronting the builder of bridges. The problem once solved, the brown god is almost forgotten By the dwellers in cities-ever, however, implacable. Keeping his seasons, and rages, destroyer, reminder Of what men choose to forget. Unhonored, unpropitiated By worshippers of the machine, but waiting, watching and waiting.