All rejection and negation indicates a deficiency in fertility: fundamentally, if only we were good plowland we would allow nothing to go unused, and in every thing, event, and person we would welcome manure, rain, or sunshine.
The moon is hidden behind a cloud... On the leaves is a sound of falling rain... No other sounds than these I hear; The hour of midnight must be near... So many ghosts, and forms of fright, Have started from their graves to-night, They have driven sleep from mine eyes away: I will go down to the chapel and pray.
I do not know much about gods; but I think that the river is a strong brown god-sullen, untamed and intractable, Patient to some degree, at first recognized as a frontier; Useful, untrustworthy, as a conveyor of commerce; Then only a problem confronting the builder of bridges. The problem once solved, the brown god is almost forgotten By the dwellers in cities-ever, however, implacable. Keeping his seasons, and rages, destroyer, reminder Of what men choose to forget. Unhonored, unpropitiated By worshippers of the machine, but waiting, watching and waiting.
Lightning my pilot sits; In a cavern under is fettered the thunder, It struggles and howls at fits; Over earth and ocean, with gentle motion, This pilot is guiding me, Lured by the love of the genii that move In the depths of the purple sea; Over the rills, and the crags, and the hills, Over the lakes and the plains, Wherever he dream, under mountain or stream The Spirit he loves remains; And I all the while bask in heaven's blue smile, Whilst he is dissolving in rains.
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The Ploughboy is whooping — anon — anon!
There's joy in the mountains:
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone.
Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of earth, overlying our hard hearts. I was better after I had cried, than before--more sorry, more aware of my own ingratitude, more gentle.
The heavy rain beat down the tender branches of vine and jessamine, and trampled on them in its fury; and when the lightning gleamed, it showed the tearful leaves shivering and cowering together at the window, and tapping at it urgently, as if beseeching to be sheltered from the dismal night.
A little rain, a little blood. Black fingernails in August; and going berserk, going bananas. As if entrapped in a tropical heatwave, with dozens of whirlwinds swirling in one’s mind, one thinks of a way out, or a way in: out of the scorching bosom of a volcano, and in – into the centre of a raging hurricane. And tracing the labyrinthine ways of your mind, the haphazard vagaries of your thoughts at ease, the odds and ends of your mental surplus you carelessly throw at the world, one wants to be at a loss, in a maze; amazed, and amazingly unabashed.
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
It blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
Do all men kill the things they do not love ............ The quality of mercy is not strain'd It droppeth as the gentle rain from heaven Upon the place beneath: it is twice blest It blesseth him that gives and him that takes
We say that to 'give up all evil and to develop the good' is the heart of the Buddha's teaching. If we only make merit but have not stopped doing bad things, then we will never have a day of completion. It is like an overturned bowl which is left outside in the rain. Even if the water is falling right on it, it only touches the outside and not the inside. In this way the bowl will never get full.
Now, being in Africa, I was hungry for more of it, the changes of the seasons, the rains with no need to travel, the discomforts that you paid to make it real, the names of the trees, of the small animals, and all the birds, to know the language and have time to be in it and to move slowly.