I see now that this has been a story of the West, after all--Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
Curious things, habits. People themselves never knew they had them. [Witness for the Prosecution, also published in The Hound of Death and Other Stories.]
Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love-story ... Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it.'' —Sherlock Holmes on John Watson's "pamphlet", "A Study in Scarlet".
The rule I have when choosing films is the excitement factor, I need to feel excited about the story and whatever message the film has - only then do I sign on the dotted line.
You see, Hansel and Gretel don’t just show up at the end of this story. They show up. And then they get their heads cut off. Just thought you’d like to know.
Remakes are awesome, especially when it honors yet adds a new component or dimension to the original. But truthfully, we have so many stories, lives and subjects to explore that I'd love to keep pushing towards new knowledge.
Humans know when it's not a good story. Unless you do this for a living, you may not know exactly why you don't like a story, but you can't fool an audience ever. They know when you have it and they know when you don't.
I set myself up for a lot of trouble by wanting to tell a story that is fairly earnest and emotional and expressive, but to do it in the most subtle, realistic way.