Being an African filmmaker, Africa is what's important for me. If I were to shot a film in France or elsewhere it would only be because the story that was being told was something that concerned me, and that really called me or needed to be shown on the screen.
The rule I have when choosing films is the excitement factor, I need to feel excited about the story and whatever message the film has - only then do I sign on the dotted line.
And were an epitaph to be my story I'd have a short one ready for my own. I would have written of me on my stone: I had a lover's quarrel with the world.
Curious things, habits. People themselves never knew they had them. [Witness for the Prosecution, also published in The Hound of Death and Other Stories.]
I try to turn a written thing, when I'm in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.