A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
Curious things, habits. People themselves never knew they had them. [Witness for the Prosecution, also published in The Hound of Death and Other Stories.]
I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them.