Never forget that a man is made great and perfect as much by his faults as by his virtues. So we must not seek to rob a nation of its character, even if it could be proved that the character was all faults.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
"The Diagnosis" had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes. I would do something and let it sit for three months... just brood about and decide I needed to slightly change something here or there. Or one character wasn't quite right. But I think everybody goes through this.
... for this discovery of yours will create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves.
So, Mr. Chadband-of whom the persecutors say that it is no wonder he should go on for any length of time uttering such abominable nonsense, but that the wonder rather is that he should ever leave off, having once the audacity to begin-retires into private life until he invests a little capital of supper in the oil-trade.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story.
The persons who constitute the natural aristocracy, are not found in the actual aristocracy, or, only on its edge; as the chemicalenergy of the spectrum is found to be greatest just outside of the spectrum.
The Greek people have gone through some very difficult times and there's still a hard road ahead, but despite those hardships, Greece has continued to be a reliable ally, has shown true compassion to fellow human beings in need. It's an example of the Greek character.
"Would you, do you, my dear?" rejoined the Captain ... "I don't know. It's difficult navigation. She's very hard to carry on with, my dear. You never can tell how she'll head, you see. She's full one minute, and round upon you next."
Our character is composed of our ideas and our feelings: and, since it has been proved that we give ourselves neither feelings nor ideas, our character does not depend on us. If it did depend on us, there is nobody who would not be perfect. If one does not reflect, one thinks oneself master of everything; but when one does reflect, one realizes that one is master of nothing
It is far pleasanter to injure and afterwards beg forgiveness than to be injured and grant forgiveness. He who does the former gives evidence of power and afterwards of kindness of character.
The German people in its whole character is not warlike, but rather soldierly, that is, while they do not want war, they are not frightened by the thoughts of it.