I spend as much time as I can sketching from nature, Dartmoor contains such a rich variety of landscape, as many boulders, foaming rivers and twisted trees as my heart could ever desire. . . . When I look into a river, I feel I could spend a whole lifetime just painting that river.
I keep drawing the trees, the rocks, the river, I'm still learning how to see them; I'm still discovering how to render their forms. I will spend a lifetime doing that. Maybe someday I'll get it right.
An orchard, good tillage, good grounds, seem a fixture, like a gold mine, or a river, to a citizen; but to a large farmer, not much more fixed than the state of the crop.
I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.
The river itself has no beginning or end. In its beginning, it is not yet the river; in the end it is no longer the river. What we call the headwaters is only a selection from among the innumerable sources which flow together to compose it. At what point in its course does the Mississippi become what the Mississippi means?
Everything is extraordinarily clear. I see the whole landscape before me, I see my hands, my feet, my toes, and I smell the rich river mud. I feel a sense of tremendous strangeness and wonder at being alive. Wonder of wonders.
Straight mine eye hath caught new pleasures Whilst the landscape round it measures, Russet lawns and fallows grey, Where the nibbling flocks do stray, Mountains on whose barren breast The labouring clouds do often rest; Meadows trim with daisies pied, Shallow brooks, and rivers wide.