There is a river in Macedon, and there is moreover a river in Monmouth. It is called Wye at Monmouth, but it is out of my prains what is the name of the other river; but 'tis all one, 'tis alike as my fingers is to my fingers, and there is salmons in both.
If you go searching for the Great Creator, you will come back empty-handed. The source of the universe is ultimately unknowable, a great invisible river flowing forever through a vast and fertile valley. Silent and uncreated, it creates all things.
I've travelled all around the world to see the rivers and the mountains, and I've spent a lot of money. I have gone to great lengths, I have seen everything, but I forgot to see just outside my house a dewdrop on a little blade of grass, a dewdrop which reflects in its convexity the whole universe around you.
I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.
The more opposition there is, the better. Does a river acquire velocity unless there is resistance? The newer and better a thing is, the more opposition I will meet with at the outset. It is opposition which foretells success. Where there is no opposition there is no success either.
O lovely river of Yvette!
O darling river! like a bride,
Some dimpled, bashful, fair Lisette
Thou goest to wed the Orge's tide.
O lovely river Yvette!
O darling stream! on balanced wings
The wood-birds sang the chansonnette
That here a wandering poet sings.
An orchard, good tillage, good grounds, seem a fixture, like a gold mine, or a river, to a citizen; but to a large farmer, not much more fixed than the state of the crop.
Straight mine eye hath caught new pleasures Whilst the landscape round it measures, Russet lawns and fallows grey, Where the nibbling flocks do stray, Mountains on whose barren breast The labouring clouds do often rest; Meadows trim with daisies pied, Shallow brooks, and rivers wide.
I journeyed to London, to the timekept City, Where the River flows, with foreign flotations. There I was told: we have too many churches, And too few chop-houses.
I spend as much time as I can sketching from nature, Dartmoor contains such a rich variety of landscape, as many boulders, foaming rivers and twisted trees as my heart could ever desire. . . . When I look into a river, I feel I could spend a whole lifetime just painting that river.
So tomorrow we disappear into the unknown. This account I am transmitting down the river by canoe, and it may be our last word to those who are interested in our fate.