If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: But yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. — Adieu, my lord! I have a speech of fire, that fain would blaze, But that this folly drowns it.
And in spite of everything, Ireland remains the brain of the Kingdom. The English, judiciously practical and ponderous, furnish the over-stuffed stomach of humanity with a perfect gadget--the water closet. The Irish, condemned to express themselves in a language not their own, have stamped on it the mark of their own genius and compete for glory with the civilized nations. This is then called English literature.
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
You cannot lecture on really pure poetry any more than you can talk about the ingredients of pure water-it is adulterated, methylated, sanded poetry that makes the best lectures.
...every offensive lost its force as it proceeded. It was like throwing a bucket of water over the floor. It first rushed forward, then soaked forward, and finally stopped altogether until another bucket could be brought.