I am at a loss to understand why people hold Miss Austen's novels at so high a rate, which seem to me vulgar in tone, sterile in artistic invention, imprisoned in their wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. ... All that interests in any character [is this]: has he (or she) the money to marry with? ... Suicide is more respectable.
A sleep without dreams, after a rough day of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt at once without installments
(an old way of paying debts, which creditors regret)
Lets out impatiently his rushing breath, less from disgust of life than dread of death.
The religion that is afraid of science dishonors God and commits suicide. Every influx of atheism, of skepticism, is thus made useful as a mercury pill assaulting and removing a diseased religion, and making way for truth.
. . . The books we need are the kind that act upon us like a misfortune, that make us suffer like the death of someone we love more than ourselves, that make us feel as though we were on the verge of suicide, or lost in a forest remote from all human habitation-a book should serve as an axe for the frozen sea within us.
To die proudly when it is no longer possible to live proudly. Death freely chosen, death at the right time, brightly and cheerfully accomplished amid children and witnesses: then a real farewell is still possible, as the one who is taking leave is still there; also a real estimate of what one has wished, drawing the sum of one's life--all in opposition to the wretched and revolting comedy that Christianity has made of the hour of death.
"State," I call it, where they all drink poison, the good and the wicked; "state," where they all lose themselves, the good and the wicked; "state," where they all call their slow suicide-"life."