To run away from trouble is a form of cowardice and, while it is true that the suicide braves death, he does it not for some noble object but to escape some ill.
For if it is not lawful to take the law into our own hands and slay even a guilty person, whose death no public sentence has warranted. Then certainly he who kills himself is a homicide, and so much the guiltier of his own death as he was more innocent of that offence for which he doomed himself to die.
I am perfectly confident that I could never adequately convey to any other human being the precise reasons why I continue to refrain from suicide - the reasons, that is, why I still find existence enough of a compensation to atone for its dominantly burthensome quality.
"State," I call it, where they all drink poison, the good and the wicked; "state," where they all lose themselves, the good and the wicked; "state," where they all call their slow suicide-"life."
I do see that there is an argument against suicide: the grief of the worshipers left behind, the awful famine in their hearts, these are too costly terms for the release.
They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide...?
Suicide is a crime the most revolting to the feelings; nor does any reason suggest itself to our understanding by which it can be justified. It certainly originates in that species of fear which we denominate poltroonery. For what claim can that man have to courage who trembles at the frowns of fortunes? True heroism consists in being superior to the ills of life in whatever shape they may challenge him to combat.
Many statements about God are confidently made by theologians on grounds that today at least sound specious. Thomas Aquinas claimed to prove that God cannot make another God, or commit suicide, or make a man without a soul, or even make a triangle whose interior angles do not equal 180 degrees. But Bolyai and Lobachevsky were able to accomplish this last feat (on a curved surface) in the nineteenth century, and they were not even approximately gods.