I never saw a moor, I never saw the sea; Yet know I how the heather looks, And what a wave must be. I never spoke with God, Nor visited in Heaven; Yet certain am I of the spot, As if a chart were given.
If I could take your troubles
I would toss them into the sea,
But all these things I'm finding
Are impossible for me.
I cannot build a mountain
Or catch a rainbow fair,
But let me be what I know best,
A friend that is always there.
Tell me", he wanted to say, "everything in the whole world" - for he had the wildest, most absurd, extravagant ideas about poets and poetry - but how to speak to a man who does not see you? who sees ogres, satyrs, perhaps the depth of the sea instead?
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night.
We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Through the unknown, remembered gate When the last of earth left to discover Is that which was the beginning; At the source of the longest river The voice of the hidden waterfall And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea.
There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical...It is things going right," he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry...the most poetical thing in the world is not being sick.
And the lost heart stiffens and rejoices in the lost lilac and the lost sea voices and the weak spirit quickens to rebel for the bent golden-rod and the lost sea smell quickens to recover.