I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
With educated people, I suppose, punctuation is a matter of rule; with me it is a matter of feeling. But I must say I have a great respect for the semicolin; it's a useful little chap
Odinary people don't have a feeling of being loved by the people who manage to get into positions of leadership. They get in there, they make a lot of money, and then they play games with us.
Benevolence does not consist in those who are prosperous pitying and helping those who are not. It consists in fellow feeling that puts you upon actually the same level with the fellow who suffers.
Odinary people don't have a feeling of being loved by the people who manage to get into positions of leadership. They get in there, they make a lot of money, and then they play games with us.
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.
Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It's such an output and exchange of energy. You can't do that anywhere else.