The winds awaken, the leaves whirl round,
Our cheeks are pale, our hair is unbound,
Our breasts are heaving, our eyes are agleam,
Our arms are waving, our lips are apart.
It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Pretty! in amber to observe the forms Of hairs, of straws, or dirt, or grubs, or worms! The things, we know, are neither rich nor rare, But wonder how the devil they got there.
Instead of looking at books and pictures about the New Testament I looked at the New Testament. There I found an account, not in the least of a person with his hair parted in the middle or his hands clasped in appeal, but of an extraordinary being with lips of thunder and acts of lurid decision, flinging down tables, casting out devils, passing with the wild secrecy of the wind from mountain isolation to a sort of dreadful demagogy; a being who often acted like an angry god — and always like a god.
And indeed there will be time To wonder, "Do I dare?" and, "Do I dare?" Time to turn back and descend the stair, With a bald spot in the middle of my hair.
The breezes of the West African night were intimate and shy, licking the hair, sweeping through cotton dresses with unseemly intimacy, then disappearing into the utter blackness.
I have made myself two or three caps to wear of evenings since I came home, and they save me a world of torment as to hair-dressing, which at present gives me no trouble beyond washing and brushing, for my long hair is always plaited up out of sight, and my short hair curls well enough to want no papering.
The most important thing I can tell you about aging is this: If you really feel that you want to have an off-the-shoulder blouse and some big beads and thong sandals and a dirndl skirt and a magnolia in your hair, do it. Even if you're wrinkled.
When lovely woman stoops to folly and Paces about her room again, alone, She smooths her hair with automatic hand, And puts a record on the gramophone.