It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
There are a lot of people in this world that listen to wide ranges of music and there should never be a CERTAIN type of music that any artist should be confined to, in my opinion.
The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.
Pablo Casals is a very great artist. What I admire is the firm stand he has taken not only against the oppressors of his countrymen, but also against those opportunists who are always ready to compromise with the Devil. He perceives clearly that the world is in greater peril from those who tolerate or encourage evil than from those who actually commit it.
Whatever obstacle comes your way, you gotta be prepared to jump over it! And I think that's what separates the legends from the regular artists. It's all in how you manage that success, and how you deal with the controversy when it actually comes.
I'm just a fan of all music. My family owned a record shop so I grew up taking it all in on a daily basis. I'm not a person that needs to listen to just five good artists at one point. I love whatever is dope. We all can feel what's great.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
Some artists leave remarkable things which, a 100 years later, don't work at all. I have left my mark; my work is hung in museums, but maybe one day the Tate Gallery or the other museums will banish me to the cellar... you never know.
The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.