Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.
It will be my earnest aim that The New York Times give the news, all the news, in concise and attractive form, in language that is permissible in good society, and give it as early if not earlier, than it can be learned through any other reliable medium; to give the news impartially, without fear or favor, regardless of party, sect, or interest involved; to make of the columns of The New York Times a forum for the consideration of all questions of public importance, and to that end to invite intelligent discussion from all shades of opinion.
The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
I have at last, after several months' experience, made up my mind that [New York] is a splendid desert--a domed and steepled solitude, where the stranger is lonely in the midst of a million of his race.
I remember watching Ring of Honor as a fan, going to shows in Philadelphia and New York, and I loved the guys. I thought these are some of the best wrestlers in the world, if not THE best.
I don't like to see things on purpose. I like them to soak in. A friend . . . asked me to go to the top of the Empire State Building once, and I told him that he shouldn't treat New York as a sight-it's feeling, an emotional experience. And the same with every place else.
For my family and Howard's partner, who is like family, for 10 years we were in a state of shock. It takes time to appreciate fully what was going on then. That's connected because post-9/11 New York is so completely different from the way it was and the counterculture movement going on before then was so remarkable; I think people are appreciating it a lot more now.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be okay. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.
This is a comment on fear. Today it's like 'They're going to bomb the New York subway and there's the avian flu and 50 million of us are going to die.' We wanted to make fun of that fear-based culture we've been plunged into. And Halloweens the perfect metaphor for fear.