Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
It will be my earnest aim that The New York Times give the news, all the news, in concise and attractive form, in language that is permissible in good society, and give it as early if not earlier, than it can be learned through any other reliable medium; to give the news impartially, without fear or favor, regardless of party, sect, or interest involved; to make of the columns of The New York Times a forum for the consideration of all questions of public importance, and to that end to invite intelligent discussion from all shades of opinion.
The coffee shop is a great New York institution, but it has terrible coffee. And the more traditional coffee shops are trying to catch up with more sophisticated coffee drinkers.
More and more too, the old name absorbs into me. Mannahatta, 'the place encircled by many swift tides and sparkling waters.' How fit a name for America's great democratic island city! The word itself, how beautiful! how aboriginal! how it seems to rise with tall spires, glistening in sunshine, with such New World atmosphere, vista and action!
It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London.
I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
The fact that the infrastructure is falling apart is not necessarily because it's built poorly. The New York City subways were built in 1903. The fact that they're still running at all is an enormous success. The fact that New York City's bridges have held up as long as they have is extraordinary, and the engineers didn't have computers to tell them about tolerance. They overbuilt these things - traffic on them is like an ant on an elephant.
For my family and Howard's partner, who is like family, for 10 years we were in a state of shock. It takes time to appreciate fully what was going on then. That's connected because post-9/11 New York is so completely different from the way it was and the counterculture movement going on before then was so remarkable; I think people are appreciating it a lot more now.
New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
The wireless telegraph is not difficult to understand. The ordinary telegraph is like a very long cat. You pull the tail in New York, and it meows in Los Angeles. The wireless is the same, only without the cat.
The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
Growing up in New York, I was sort of shocked when I realized that my children are Californians. They are 14 years old, and I explain to them frequently that they will never realize the glory of a snow day. You wake up and the world says, 'Oops, it's too much fun to go to school, you've got to stay home and deal with the snow!'
URBANITY, n. The kind of civility that urban observers ascribe to dwellers in all cities but New York. Its commonest expression is heard in the words, "I beg your pardon," and it is not consistent with disregard of the rights of others.
This is a comment on fear. Today it's like 'They're going to bomb the New York subway and there's the avian flu and 50 million of us are going to die.' We wanted to make fun of that fear-based culture we've been plunged into. And Halloweens the perfect metaphor for fear.