It's easy to say that reducing a song to 90 seconds on "American Idol" strips off so many things, and how it's the 21st century and music doesn't mean the same things to people and that it's so disposable.
I'm a serious aficionada of country music - Reba McEntire, Toby Keith, Montgomery Gentry. I've even written some songs. They haven't done anything of mine yet. But it's only a matter of time.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
My people couldn't have survived slavery without having hope that it would get better. And there's some songs from the 19th and 18th century that say [sings], "By and by, by and by, I will lay down, this heavy load." And I mean, so many songs that spoke of hope and understand it better by and by. Amazing songs. So that the slaves, just knowing that he, she, did not have the right legally to walk within one inch away from where the slave owner dictated, and yet the same person, wrote and sang with fervor, "If the lord wants somebody, here am I, send me." It's amazing.
I remember how beautiful it was to fall asleep on your couch and cry in front of you for the first time.
You were the best platform from which to jump beyond myself.
What was wrong with me?
I doubt I'll be singing forever, because at some point people aren't going to want to hear my music, and I hope that I'll still get the opportunity to write songs.
We've always been trying to climb this ladder that leans so hard on our own idea of what our big songs are. We realized recently that we're not a band with big songs.
Now the bright morning-star, Day's harbinger,
Comes dancing from the East, and leads with her
The flowery May, who from her green lap throws
The yellow cowslip and the pale primrose.
Hail, bounteous May, that dost inspire
Mirth, and youth, and warm desire!
Woods and groves are of thy dressing;
Hill and dale doth boast thy blessing.
Thus we salute thee with our early song,
And welcome thee, and wish thee long.
I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.
In fact, after Donald Trump won, some of the relief of finishing record was to turn off all the politics for a while. There were some songs that had more of the political stuff that we just decided to wait on and put aside. A few weeks after the election, I stopped watching cable news and just unplugged. My way of dealing with the new situation we're in was to just work on something that I care about.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
In the depth of my soul there is
A wordless song - a song that lives
In the seed of my heart.
It refuses to melt with ink on
Parchment; it engulfs my affection
In a transparent cloak and flows,
But not upon my lips.