The white face of the winter day came sluggishly on, veiled in a frosty mist; and the shadowy ships in the river slowly changed to black substances; and the sun, blood-red on the eastern marshes behind dark masts and yards, seemed filled with the ruins of a forest it had set on fire.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts
In spite of all the dishonour, the broken standards, the broken lives, The broken faith in one place or another, There was something left that was more than the tales Of old men on winter evenings.
Of Nature itself upon the soul; the sunrise, the haze of autumn, the winter starlight seem interlocutors; the prevailing sense is that of an exposition in poetry; a high discourse, the voice of the speaker seems to breathe as much from the landscape as from his own breast; it is Nature communing with the seer.
But see, Orion sheds unwholesome dews; Arise, the pines a noxious shade diffuse; Sharp Boreas blows, and nature feels decay, Time conquers all, and we must time obey.
One disagreeable result of whispering is that it seems to evoke an atmosphere of silence, haunted by the ghosts of sound - strange cracks and tickings, the rustling of garments that have no substance in them, and the tread of dreadful feet that would leave no mark on the sea-sand or the winter snow.
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter.
Death is more certain than the morrow, than night following day, than winter following summer. Why is it then that we prepare for the night and for the winter time, but do not prepare for death. We must prepare for death. But there is only one way to prepare for death - and that is to live well.