Since the printing press came into being, poetry has ceased to be the delight of the whole community of man; it has become the amusement and delight of the few.
I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity: the emotion is contemplated till, by a species of reaction, the tranquillity gradually disappears, and an emotion, kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind.
The philosophic mind inclines always to an elaborate life--the life of Goethe or of Leonardo da Vinci; but the life of the poet isintense--the life of Blake or of Dante--taking into its centre the life that surrounds it and flinging it abroad again amid planetary music.
I had rather be a Kitten, and cry mew, Than one of these same Meeter Ballad-mongers: I had rather heare a Brazen Candlestick turn'd, Or a dry Wheele grate on the Axle-tree, And that would set my teeth nothing an edge, Nothing so much, as mincing Poetrie.
What a poem means is as much what it means to others as what it means to the author; and indeed, in the course of time a poet may become merely reader in respect to his own works, forgetting his original meaning.
I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling.