When I was a kid, I thought I was going to be an architect, because when I was 12 years old I had a guidance counselor that convinced me that that was the best career choice for me.
I'm free to do what I please, I'm probably not going to do albums. Just because I think releasing tracks as singles is a better way for me to stay topical.
I can't say enough good things about my band. I feel very fortunate that I found them when I did, very early in my career. Not only are they just great, nice guys; they're some of the best musicians you're likely to find. They do everything from gangsta rap to polka music and every genre in between. It's amazing.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
It fit pretty nicely into my schedule because we'd pretty much finished the bulk of promotion for Mandatory Fun and were just getting geared up for the World Tour so this was a nice time for me to be working on it.
I suppose I had my rock star fantasies while I was singing into my hairbrush in the bathroom mirror, but I never really consciously said, 'OK, this is what I'm going to do for a living and I'm going to be Weird Al.'
It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.
When I started out, I didn't feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I'm accepted in both, which is extremely gratifying.