I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
I was a huge fan of 'Mad' magazine when I was 11, 12, 13 years old. I'd scour used bookstores trying to find back issues, and I'd wait at the newsstand for a new issue to come out. My life revolved around it.
In the '80s, I was the only game in town, I was the only one getting that kind of exposure in any rotation on MTV. Now with internet culture it seems like everyone is doing music parodies. And they're not all good!
It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.
When I started out, I didn't feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I'm accepted in both, which is extremely gratifying.
I can't say enough good things about my band. I feel very fortunate that I found them when I did, very early in my career. Not only are they just great, nice guys; they're some of the best musicians you're likely to find. They do everything from gangsta rap to polka music and every genre in between. It's amazing.
I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more. It's very much a "Weird Al" themed issue, so I'd like to think that there's a lot of "Weird Al" flavor throughout but I think it'd be generous really to call me an editor.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
I decided that I wanted to be a voice on every animated cartoon in the history of the world - even shows that haven't been on the air for a very long time, that's going to be harder to pull off.
What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?