Human life and objects and trees vibrate with mysterious meanings, which can be deciphered like cuneiform writing. There exists a meaning, hidden from day to day, but accessible in moments of greatest attentiveness, in those moments when consciousness loves the world.
Why do we complain about the Fall? It is not on its account that we were expelled from Paradise, but on account of the Tree of Life, lest we might eat of it.
When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through.
A wild boar was sharpening his tusks upon the trunk of a tree in the forest when a fox came by and asked, Why are you doing that, pray? The huntsmen are not out today and there are no other dangers at hand that I can see. True, my friend, replied the Boar, but the instant my life is in danger, I shall need to use my tusks. There will be no time to sharpen them then.
Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.