Even as one heat another heat expels, or as one nail by strength drives out another, so the remembrance of my former love is by a newer object quite forgotten.
Why, friends, you go to do you know not what: Wherein hath Caesar thus deserved your loves? Alas, you know not: I must tell you then: You have forgot the will I told you of. . . . . Here is the will, and under Caesar's seal. To every Roman citizen he gives, To every several man, seventy-five drachmas. . . . . Moreover, he hath left you all his walks, His private arbours and new-planted orchards, On this side Tiber; he hath left them you, And to your heirs for ever, common pleasures, To walk abroad, and recreate yourselves. Here was a Caesar! when comes such another?
to love is to risk, not being loved in return. to hope is to risk pain. to try is to risk failure. but risk must be taken because the greatest hazard in my life is to risk nothing.
Man's love is of man's life a part; it is a woman's whole existence. In her first passion, a woman loves her lover, in all the others all she loves is love.
A man's house burns down. The smoking wreckage represents only a ruined home that was dear through years of use and pleasant associations. By and by, as the days and weeks go on, first he misses this, then that, then the other thing. And when he casts about for it he finds that it was in that house. Always it is an essential - here was but one of its kind. It cannot be replaced. It was in that house. It is irrevocably lost...It will be years before the tale of lost essentials is complete, and not till then can he truly know the magnitude of his disaster.
Borges said there are only four stories to tell: a love story between two people, a love story between three people, the struggle for power and the voyage. All of us writers rewrite these same stories ad infinitum.