There's an old saying in Tennessee — I know it's in Texas, probably in Tennessee — that says, fool me once, shame on — shame on you. Fool me — you can't get fooled again.
The best generals I have known were... stupid or absent-minded men. Not only does a good army commander not need any special qualities, on the contrary he needs the absence of the highest and best human attributes - love, poetry, tenderness, and philosophic inquiring doubt. He should be limited, firmly convinced that what he is doing is very important (otherwise he will not have sufficient patience), and only then will he be a brave leader. God forbid that he should be humane, should love, or pity, or think of what is just and unjust.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
People are not stupid. They believe things for reasons. The last way for skeptics to get the attention of bright, curious, intelligent people is to belittle or condescend or to show arrogance toward their beliefs.
A good aphorism is too hard for the tooth of time, and is not worn away by all the centuries, although it serves as food for every epoch. Hence it is the greatest paradox in literature, the imperishable in the midst of change, the nourishment which always remains highly valued, as salt does, and never becomes stupid like salt.
We cannot solve the problems of America if every time somebody somewhere says something stupid, that everybody gets up in arms and we forget about the war in Iraq or we forget about the economy.
Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.
Ivanov: Once I worked hard and thought a lot but I never got tired; now I do nothing and think of nothing, but I'm tired in body and spirit. My conscience aches day and night, I feel deeply guilty but I don't understand where I am actually at fault. And add to that my wife's illness, my lack of money, the constant bickering, gossip, unnecessary conversations, that stupid Borkin... My home has become loathsome to me and I find living there worse than torture.