But our love was stronger by far than the love Of those who were older than we Of many far wiser than we And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.
True, nervous, very, very dreadfully nervous I had been and am, but why will say that I am mad?! The disease had haunted my senses, not destroyed, not dulled them. Of all the sense of hearing acute.
Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heartone of the indivisible primary faculties, or sentiments, which give direction to the character of Man.
Alas! for that accursed time They bore thee o'er the billow, From love to titled age and crime, And an unholy pillow! From me, and from our misty clime, Where weeps the silver willow!
O, Times! O, Manners! It is my opinion That you are changing sadly your dominion I mean the reign of manners hath long ceased, For men have none at all, or bad at least; And as for times, altho' 'tis said by many The "good old times" were far the worst of any, Of which sound Doctrine I believe each tittle Yet still I think these worst a little. I've been a thinking -isn't that the phrase?- I like your Yankee words and Yankee ways - I've been a thinking, whether it were best To Take things seriously, Or all in jest
That single thought is enough. The impulse increases to a wish, the wish to a desire, the desire to an uncontrollable longing, and the longing (to the deep regret and mortification of the speaker, and in defiance of all consequences,) is indulged.
I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.
Many years ago, I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want.
We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused - in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery - by which term we may designate the character of the greater portion of the newspaper press - their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.