Genius is its own reward; for the best that one is, one must necessarily be for oneself. . . . Further, genius consists in the working of the free intellect., and as a consequence the productions of genius serve no useful purpose. The work of genius may be music, philosophy, painting, or poetry; it is nothing for use or profit. To be useless and unprofitable is one of the characteristics of genius; it is their patent of nobility.
Speaking of Georges Bizet: His music has the tang of sunny climates, their bracing air, their clearness. It voices a sensibility hitherto unknown to us.
When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison?
The touch of an infinite mystery passes over the trivial and the familiar, making it break out into ineffable music... The trees, the stars, and the blue hills ache with a meaning which can never be uttered in words.
Sweet is every sound, Sweeter thy voice, but every sound is sweet; Myriads of rivulets hurrying thro' the lawn, The moans of doves in immemorial elms, And murmuring of innumerable bees.
Music directly imitates the passions or states of the soul...when one listens to music that imitates a certain passion, he becomes imbued withthe same passion; and if over a long time he habitually listens to music that rouses ignoble passions, his whole character will be shaped to an ignoble form.
As one knows the poet by his fine music, so one can recognize the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.