The poodle [Rufus] ate in the dining room with the rest of the [Churchill] family. A cloth was laid for him on the Persian carpet beside the head of the household, and no one else ate until the butler had served Rufus's meal.
A subsidiary Deity designed to catch the overflow and surplus of the world's worship . . . . [H]is master works for the means wherewith to purchase the idle wag of the Solomonic tail, seasoned with a look of tolerant recognition.
When the Man waked up he said, 'What is Wild Dog doing here?' And the Woman said, 'His name is not Wild Dog any more, but the First Friend, because he will be our friend for always and always and always.'
"Try another Subtraction sum. Take a bone from a dog: what remains?" [asked the Red Queen] Alice considered. "The bone wouldn't remain, of course, if I took it-and the dog wouldn't remain; it would come to bite me-and I'm sure I shouldn't remain!" "Then you think nothing would remain?" said the Red Queen. "I think that's the answer." "Wrong, as usual," said the Red Queen, "the dog's temper would remain."
...men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost.
Your next-door neighbor is not a man; he is an environment. He is the barking of a dog; he is the noise of a piano; he is a dispute about a party wall; he is drains that are worse than yours, or roses that are better than yours.
There are a sort of men, whose visages
Do cream and mantle, like a standing pond;
And do a willful stillness entertain,
With purpose to be dressed in an opinion
Of wisdom, gravity profound conceit;
As who should say, I am sir Oracle,
And when I ope my lips, let no dog bark!
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
Dogs live with man as courtiers 'round a monarch, steeped in the flattery of his notice ... to push their favor in this world of pickings and caresses is, perhaps, the business of their lives.
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is a fateful fatalistic apathy.