Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them — Ding-dong, bell.
Meadows trim with daisies pied, Shallow brooks and rivers wide Towers and battlements it sees Bosom'd high in tufted trees, Where perhaps some beauty lies, The cynosure of neighboring eyes.
Natural science sharpens the discrimination. There is no false logic in nature. All its properties are permanent: the acids and metals never lie; their yea is yea, their nay, nay. They are newly discovered but not new.
Near that a dusty paint-box, some odd hooks, A half-burnt match, an ivory block, three books, Where conic sections, spherics, logarithms, To great Laplace, from Saunderson and Sims, Lie heaped in their harmonious disarray Of figures,-disentangle them who may.
Ay, but to die and go we know not where; To lie in cold obstrution and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods or to reside In thrilling regions of thick-ribbed ice; To be imprison'd in the viewless winds, And blown with restless violence round about The pendant world.
I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.