But the idea of a man making his living by writing seemed, in that hardy environment, so fantastic that even today I am sometimes myself assailed by a feeling of unreality.
A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society.
The best way is to read it all every day from the start, correcting as you go along, then go on from where you stopped the day before. When it gets so long that you can't do this every day read back two or three chapters each day; then each week read it all from the start. That's how you make it all of one piece.
They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.
I live here among the ignorant like a lost man in fact like one whom the rest seems careless of having anything to do with — they hardly dare talk in my company for fear I shoud mention them in my writings & I find more pleasure in wandering the fields then in mixing among my silent neighbours who are insensible of everything but toiling & talking of it & that to no purpose.
Let us guess that whenever we read a sentence & like it, we unconsciously store it away in our model-chamber; & it goes, with the myriad of its fellows, to the building, brick by brick, of the eventual edifice which we call our style.
To write history one must be more than a man, since the author who holds the pen of this great justiciary must be free from all preoccupation of interest or vanity.