When you write, produce, engineer and mix everything yourself, it tends to take a long time to do anything. And when you're a perfectionist little monster, it makes it even harder. But it's a blast and I wouldn't trade the opportunity for all the ice cream sandwiches in the universe.
It is from the middle class that writers spring, because, it is in the middle class only that the practice of writing is as natural and habitual as hoeing a field or building a house.
The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
The meaning and purpose of dancing is the dance. Like music also, it is fulfilled in each moment of its course. You do not play a sonata in order to reach the final chord, and if the meaning of things were simply in ends, composers would write nothing but finales.
A person writing at night may put out the lamp, but the words he has written will remain. It is the same with the destiny we create for ourselves in this world.
He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing.
Give the villagers village arithmetic, village geography, village history and the literary knowledge that they must use daily, i.e. reading and writing letters, etc.
For Dicey, writing in 1885, and for me reading him some seventy years later, the rule of law still had a very English, or at least Anglo-Saxon, feel to it. It was later, through Hayek's masterpieces "The Constitution of Liberty" and "Law, Legislation and Liberty" that I really came to think this principle as having wider application.
Whatever you have lived, you can write & by hard work & a genuine apprenticeship, you can learn to write well; but what you have not lived you cannot write, you can only pretend to write it.
It is long ere we discover how rich we are. Our history, we are sure, is quite tame: we have nothing to write, nothing to infer. But our wiser years still run back to the despised recollections of childhood. . . .
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.