I'm just writing love songs. I'm not trying to be pop. I'm not trying to be jazz. I'm not trying to be anything. I'm just writing love songs. And everyone loves a love song.
The importance is getting to something truthful and in that moment can only be in that moment. I don't like to use the word "improvise," but it's a continual writing of the film.
What is the end of Fame? 'tis but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour: For this men write, speak, preach, and heroes kill, And bards burn what they call their "midnight taper," To have, when the original is dust, A name, a wretched picture, and worse bust.
Companions the creator seeks, not corpses, not herds and believers. Fellow creators the creator seeks -- those who write new values on new tablets. Companions the creator seeks, and fellow harvesters; for everything about him is ripe for the harvest.
Nothing prevents our denying life by suicide. well then, kill yourself, and you won't discuss. If life displeases you, kill yourself! You live, and cannot understand the meaning of life - then finish it, and do not fool about in life, saying and writing that you do not understand it. You have come into good company where people are contented and know what they are doing; if you find it dull and repulsive - go away!
I only write to understand myself better... I don't try to show how intelligent or how cultivated I am, I just try to share my soul. Sharing is part of life.
Whether the darken'd room to muse invite, Or whiten'd wall provoke the skew'r to write; In durance, exile, Bedlam, or the Mint, Like Lee or Budgel I will rhyme and print.
At some point, I would like to write a book and other things, but I work best when there is some sort of deadline in my own mind, but not when fifty people or fifty million people are breathing down the back of my neck.
We write for the same reason that we walk, talk, climb mountains or swim the oceans - because we can. We have some impulse within us that makes us want to explain ourselves to other human beings.
One can't write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses them and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror - for behind every masterpiece of the sort must reside a driving daemonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.
The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously