And we must beg Homer and the other poets not to be angry if we strike out these and similar passages, not because they are unpoetical, or unattractive to the popular ear, but because the greater the poetical charm in them, the less are they meet for the ears of boys and men who are meant to be free, and who should fear slavery more than death.
I conceive that the right way to write a story for boys is to write so that it will not only interest boys but strongly interest any man who has ever been a boy. That immensely enlarges the audience.
As a boy holding to a post or a pillar whirls about it with headlong speed without any fear or falling, so perform your worldly duties, fixing your hold firmly upon God, and you will be free from danger.
There is only one sin and it is: weakness. When I was a boy, I read Milton's Paradise Lost. The only good man I had any respect for was Satan. The only saint is that person who never weakens, faces everything, and determines die game.
As a boy, I once saw a cart of melons that sorely tempted me. I sneaked up to the cart and stole a melon. I went into the alley to devour it, but no sooner had I set my teeth into it, than I paused, a strange feeling coming over me. I came to a quick conclusion. Firmly, I walked up to that cart, replaced the melon - and took a ripe one.
The boy reached through to the Soul of the World, and saw that it was part of the Soul of God. And he saw that the Soul of God was his own soul. And that he, a boy, could perform miracles.
Somewhere you are holding the person I love," the boy said. "So, when I look out over your sands, I am also looking at her. I want to return to her, and I need your help so that I can turn myself into the wind.
I begin with the young. We older ones are used up but my magnificent youngsters! Are there finer ones anywhere in the world? Look at all these men and boys! What material! With you and I, we can make a new world.