I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
Earth laughs in flowers to see her boastful boys Earth-proud, proud of the earth which is not theirs; Who steer the plough, but cannot steer their feet Clear of the grave.
From high Meonia's rocky shores I came, Of poor decsent, Acoetes is my name, My sire was measly born: no oxen ploughed, His fruitful fields, nor in his pastures lowed, His whole estate within the waters lay' With lines and hooks he caught the finny prey; His art was all his livelehood, which he Thus with his dying lips bequeathed to me: In streams, my boy, and rivers take thy chance; There swims', said he, Thy whole inheritance.
"This is why alchemy exists," the boy said. "So that everyone will search for his treasure, find it, and then want to be better than he was in his former life. Lead will play its role until the world has no further need for lead; and then lead will have to turn itself into gold. That's what alchemists do. They show that, when we strive to become better than we are, everything around us becomes better, too."
Must I shoot a simple-minded soldier boy who deserts, while I must not touch a hair of the wily agitator who induces him to desert? I think that in such a cse to silence the agitator and save the boy is not only constitutional but withal a great mercy.
I've crossed these sands many times," said one of the camel drivers one night. "But the desert is so huge, and the horizons so distant, that they make a person feel small, and as if he should remain silent." The boy understood intuitively what he meant, even without ever having set foot in the desert before. Whenever he saw the sea, or a fire, he fell silent, impressed by their elemental force.
There's plenty of boys that will come hankering and gruvvelling around when you've got an apple, and beg the core off you; but when they're got one, and you beg for the core, and remind them how you give them a core one time, they take a mouth at you, and say thank you 'most to death, but there ain't a-going to be no core.