FINANCE, n. The art or science of managing revenues and resources for the best advantage of the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America's most precious discoveries and possessions.
PALMISTRY, n. The 947th method . . . of obtaining money by false pretences [by] "reading character" in the wrinkles [of] the hand. The pretence is not altogether false. . . for the wrinkles in every hand submitted plainly spell the word "dupe."
Women of genius commonly have masculine faces, figures and manners. In transplanting brains to an alien soil God leaves a little of the original earth clinging to the roots.
Homicide, /n./ The slaying of one human by another. There are four kinds of homicide: felonious, excusable, justifiable, and praiseworthy, but it makes no great difference to the person slain whether he died by one kind or another - the classification is for the advantage of the lawyers.
Past, n. That part of Eternity with some small fraction of which we have a slight and regrettable acquaintance. A moving line called the Present parts it from an imaginary period known as the Future. These two grand divisions of Eternity, of which the one is continually effacing the other, are entirely unlike. The one is dark with sorrow and disappointment, the other bright with prosperity and joy.... Yet the Past is the Future of yesterday, the Future is the Past of to-morrow. They are one-the knowledge and the dream.
LAP, n. One of the most important organs of the female system - an admirable provision of nature for the repose of infancy, but chiefly useful in rural festivities to support plates of cold chicken and heads of adult males.
REDEMPTION, n. Deliverance of sinners from the penalty of their sin, through their murder of the deity against whom they sinned . . . . whoso believeth in it shall not perish, but have everlasting life in which to try to understand it.
A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the pa