I think I live inside the plane! I never have time to unpack; I'm always leaving in two days again. I travel a lot, and at the beginning it was really fun. The first time I went inside a plane, I was 15 years old and I had so much fun. I like to travel all over the world and learn [about] new cultures. Not that many people have the opportunity to do that.
It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.
The fun of talk is to explore, but much of it and all that is irresponsible should not be written. Once written you have to stand by it. You may have said it to see whether you believed it or not.
Just to paint is great fun. The colours are lovely to look at and delicious to squeeze out. Matching them, however crudely, with what you see is fascinating and absolutely absorbing.
Do not believe in telling people of one's faith, especially with a view to conversion. Faith must be lived, and when it is, it becomes self-propagating
You want to have fun but you also want to work well. Sometimes I was quite happy at Ferrari, because we would have fun, but then they could not stop having fun and go back to the real work.
I've given parties that have made Indian rajahs green with envy. I've had prima donnas break $10,000 engagements to come to my smallest dinners. When you were still playing button back in Ohio, I entertained on a cruising trip that was so much fun that I had to sink my yacht to make my guests go home.
Now I've even gotten to running out to the fan buses that pass by our house, so I can talk to the people. I think I'm trying to gather fans, frankly. They're very, very nice people - they really understand. It's fun talking to them.
The silliness-much of which is clearly intentional-is blended with some genuine grandeur. The Pixar touch is evident in the precision of the visual detail and in the wit and energy of Michael Giacchino's score, but the quality control that has been exercised over this project also has a curiously undermining effect. The movie eagerly sells itself as semitrashy, almost-campy fun, but it is so lavish and fussy that you can't help thinking that it wants to be taken seriously, and therefore you laugh at, rather than with, its mock sublimity.
I'm always amazed that my wife can handle different subjects - one day politics, the next day foreign policy. And she always has so much fun doing it. We make a good team.