The book which the reader now holds in his hands, from one end to the other, as a whole and in its details, whatever gaps, exceptions, or weaknesses it may contain, treats of the advance from evil to good, from injustice to justice, from falsity to truth, from darkness to daylight, from blind appetite to conscience, from decay to life, from bestiality to duty, from Hell to Heaven, from limbo to God. Matter itself is the starting-point, and the point of arrival is the soul. Hydra at the beginning, an angel at the end.
As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.
I am an intelligent river which has reflected successively all the banks before which it has flowed by meditating only on the images offered by those changing shores.
Marius and Cosette were in the dark in regard to each other. They did not speak, they did not bow, they were not acquainted; they saw each other; and, like the stars in the sky separated by millions of leagues, they lived by gazing upon each other.
Do not economize on the hymeneal rites; do not prune them of their splendor, nor split farthings on the day when you are radiant. A wedding is not house-keeping.
A tempest ceases, a cyclone passes over, a wind dies down, a broken mast can be replaced, a leak can be stopped, a fire extinguished, but what will become of this enormous brute of bronze?