In the arts of life main invents nothing; but in the arts of death he outdoes Nature herself, and produces by chemistry and machinery all the slaughter of plague, pestilence and famine. ... There is nothing in Man's industrial machinery but his greed and sloth: his heart is in his weapons.
I hope you have lost your good looks, for while they last any fool can adore you, and the adoration of fools is bad for the soul. No, give me a ruined complexion and a lost figure and sixteen chins on a farmyard of Crow's feet and an obvious wig. Then you shall see me coming out strong.
Girls, like men, want to be petted, pitied, and made much of, when they are diffident, in low spirits, or in unrequited love. These are services which the weak cannot render to the strong and which the strong will not render to the weak, except when there is also a difference of sex.
My religious convictions and scientific views cannot at present be more specifically defined than as those of a believer in creative revolution. I desire that no public monument or work of art or inscription or sermon or ritual service commemorating me shall suggest that I accepted the tenets peculiar to any established church or denomination nor take the form of a cross or any other instrument of torture or symbol of blood sacrifice.
If you demand my authorities for this and that, I must reply that only those who have never hunted up the authorities as I have believe that there is any authority who is not contradicted flatly by some other authority.
If you would stick to the concrete, and put your discoveries in the form of entertaining anecdotes about your adventures with women, your conversation would be easier to follow.
No child should be brought up to suppose that its food and clothes come down from heaven or are miraculously conjured from empty space by papa. Loathsome as we have made the idea of duty (like the idea of work) we must habituate children to a sense of repayable obligation to the community for what they consume and enjoy, and inculcate the repayment as a point of honor.
And so, to the end of history, murder shall breed murder, always in the name of right and honor and peace, until the gods are tired of blood and create a race that can understand.
To a professional critic (I have been one myself) theatre-going is the curse of Adam. The play is the evil he is paid to endure in the sweat of his brow; and the sooner it is over, the better.
When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell's major generals than it will be if ever it gets into mine.