I don't know what to say about this book. The experience on which it is founded is so extraordinary, that an honest record of it should be preserved . . . But it would have driven me mad; and I am not sure that the author came out of it without a slight derangement.
There is nothing on earth more exquisite than a bonny book, with well-placed columns of rich black writing in beautiful borders, and illuminated pictures cunningly inset. But nowadays, instead of looking at books, people read them. A book might as well be one of those orders for bacon and bran.
With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his. . . . It would positively be a relief to me to dig him up and throw stones at him.
Even under the most perfect Social Democracy we should, without Communism, still be living like hogs, except that each hog would get his fair share of grub.... Whilst we are hogs, let us at least be well-fed, healthy, reciprocally useful hogs, instead of--well, instead of the sort we are at present.
The wheels are turning, but the hamsters are all dead. Make it idiot-proof and someone will make a better idiot. I learned long ago, never to wrestle with a pig, you get dirty; and besides, the pig likes it.
I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.