When oxygen and sulphur dioxide are mixed in the presence of a filiament of platinum, they form sulphurous acid. This combination takes place only if the platinum is present; nevertheless the newly formed acid contains no trace of platinum, and the platinum itself is apparently unaffected: has remained inert, neutral, and unchanged. The mind of the poet is the shred of platinum.
When settling disputes between his subjects, he should ensure that his judgement is irrevocable; and he should be so regarded that no one ever dreams of trying to deceive or trick him.
When the enemy's envoy's speak in humble terms, but continues his preparations, he will advance. When their language is deceptive but the enemy pretentiously advances, he will retreat. When the envoys speak in apologetic terms, he wishes a respite. When without a previous understanding the enemy asks for a truce, he is plotting. When the enemy sees an advantage but does not advance to seize it, he is fatigued.
Behind the cotton wool is hidden a pattern; that we—I mean all human beings—are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.
The art world is now a fashion industry, led by its Whitney Biennial 'nose for the new look.' But nobody, it seems, has the guts or the brains to blow the necessary whistle and holler, 'Hold on guys! What the hell is this ugly bit of business?
I remember my emotions the day we watched Nelson Mandela walk out of prison Writing & literature in South Africa during the anti-apartheid years, became a 'cultural weapon.' You had to use it to fight apartheid & some of us resisted that in the end, you recognize that you are facing a government that has no scruples about using culture & art to oppress you.
As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.
Unless you know the mountains and the forests, the defiles and impasses, the lay of the marshes and swamps, you cannot maneuver with an armed force. Unless you use local guides, you cannot get the advantages of the land.
These are the six ways of courting defeat - neglect to estimate the enemy's strength; want of authority; defective training; unjustifiable anger; nonobservance of discipline; failure to use picked men.
One should aim, seriously, at disregarding ups and downs; a compliment here, silence there ... the central fact remains stable, which is the fact of my own pleasure in the art.