Our little kinsmen after rain
In plenty may be seen,
a pink and pulpy multitude
The tepid ground upon;
A needless life if seemed to me
Until a little bird
As to a hospitality
Advanced and breakfasted.
A gardener who cultivates his own garden with his own hands, unites in his own person the three different characters, of landlord, farmer, and labourer. His produce, therefore, should pay him the rent of the first, the profit of the second, and the wages of the third.
I look upon the pleasure which we take in a garden as one of the most innocent delights in human life. . . It gives us a great insight into the contrivance and wisdom of Nature, and suggests innumerable subjects for meditation.
On Saturday afternoons when all the things are done in the house and there's no real work to be done, I play Bach and Chopin and turn it up real loudly and get a good bottle of chardonnay and sit out on my deck and look out at the garden.
As soon as I arrived I made an attempt to find my host but the two or three people of whom I asked his whereabouts stared at me in such an amazed way and denied so vehemently an knowledge of his movements that I slunk off in the direction of the cocktail table--the only place in the garden where a single man could linger without looking purposeless and alone.
Good heavens, I suppose a man may eat his own muffins in his own garden." "But you have just said it was perfectly heartless to eat muffins!" "I said it was perfectly heartless of YOU under the circumstances. That is a very different thing." "That may be, but the muffins are the same!
Then there are those who plant. they endure storms and all the many vicissitudes of the seasons, and they rarely rest. But, unlike a building, a garden never stops growing. And while it requires the gardener's constant attention, it also allows life for the gardener to be a great adventure.
The only way to increase it is to cultivate your own garden. And the only thing that will help you is poetry, which is the most concentrated form of style.... I don't care how clever the other professor is, one can't raise a discussion of modern prose to anything above tea-table level.
We can make a little order where we are, and then the big sweep of history on which we can have no effect doesn't overwhelm us. We do it with colors, with a garden, with the furnishings of a room, or with sounds and words. We make a little form, and we gain composure.